“The significant story possesses more awareness than the writer writing it. The significant story is always greater than the writer writing it. This is the absurdity, the disorienting truth, the question that is not even a question, this is the koan of writing.” ~Joy Williams
from the essay, “Uncanny Singing That Comes from Certain Husks”
I work to weave
this bit of space
into something
more transcendent,
more ethereal.
The folded clothes
stacked on the chair,
the last pair of
shoes I wore
discarded
near the bed.
A coat hanging
on the doorknob —
the entry door open
(never blocked)
because the dogs
don’t understand —
my desk, my time,
these stories crafted
from nothingness – so
they still stop by to visit
every once in awhile,
sitting quietly,
in hope of a bone.
~January 2012
Who will save us from
this shifting dance within his mind?
This rapid movement, changing beat,
confusing tempo . . .
Tell the garden fairies
to cease their screaming
halt all gyrations until we find
the answer: What is this now happening,
this rollicking-flow-movement within his mind?
Run fast, young lad, and tell the praying ladies
at the universal parsonage . . . increase your praying
and someone call the doctor –
we may need medication this time.
The gypsy ladies must come
dancing to tambourines and golden chimes.
Sing a song of ever ending, hurry,
let’s slay the ghost of Father Time!
Quick! Young lady, bring a silver dagger
and a gold pocket watch five minutes fast
along with a bottle of Ambers whine.
Quick! Sing the song of fast correction
Hurry, we all know he’s lost his mind!
That was close – Yes!
That was close Sir, the clock
has stopped at quarter to nine.
At last we’ve ended the wild devastation
of raging, aging Father Time.
~November 2011
(Just for the fun of it!)
Looking out
the kitchen window
at the yard
next door
abandoned.
Grass
grows taller
old laughter smiles
a lost echo.
The birds
are unaware.
Singing
they fly down
to steal lunch
hidden in the grass.
Unaware of
property, ownership,
human rules —
They take liberties —
perch on the front
porch swing, borrowing
without asking —
Singing the day
away, perched
on the last
sad item
previous owners
left behind.
~November 2011
When you are
gone, there will be
no one to fight,
struggle, rebel against.
Instead
only the blank space
where the wall of you
once stood – the line
drawn, marked,
painted red – the fight
a devouring effort
between us. But
when you are gone —
Death will let go
that loud cackle,
slap his thigh,
and crow our names —
There will be only
the blank space
hollow-cold
empty from your leaving
against which
I push
and when you
are gone
there will be
no one to stop me
from falling.
~November, 2011
I’ve been thinking about my “name issue” for a few months,wondering how to deal with it, and if I should write a post about it. I’m home from work today, sick, and feeling terrible. So, of course, it seems like the perfect time to address the issue. Who am I – why do I have so many names – and which name should be on my Facebook Profile?
I’ve been a published writer in some form or fashion for the past 18 years. I started writing during my young “hate the world and everyone in it” period that I think most writer’s go through. My writing was good, but often filled with a violent aspect or harsh edge that sometimes involved living family members (the dead ones didn’t worry me so much). I decided to write under a nom de Plume (pseudonym, or Pen Name) during this time to avoid accidentally hurting or embarrassing family, friends, etc. that might read the work and recognize it’s source.
I wrote under the pseudonym, Orianna Tierney, for the first year or two. It was a good experience that allowed me to write in a free, unrestricted manner without self-censorship. I believe a pseudonym was necessary for me to actually step outside self-censorship and write honestly during this time. And, I remain an advocate of using a pseudonym as a means of reaching into your deepest, darkest self to find the honesty for the page. I still believe my writing and growth as a writer are better because I initially chose to write under an un-recognizable name. My first intense, multilayered works were written and published during my “Orianna” period.
I was writing daily after the Orianna years and my writing quickly grew along with me as a person. The works, primarily poetry and essays at this time, started to grow and change. I understood the development of technique and the expanding substance of my work. The work became more serious and important to me as did the name under which I wrote. I adopted Marissa as my pseudonym in 1995. It was a creative re-visioning of my true first name, Margaret, and my true last name of Owen. So, Marissa Owen evolved as a nom de Plume that felt more real than my real name sometimes. (As an aside, I often contemplated legally changing my first name to Marissa, as I much prefer it, but decided to keep it due to family connections and memories.)
Writing as Marissa felt totally natural, and I came to see the writer side of me as Marissa. Most of my first, truly important publications were under this name. It was the name my writer and poet friends knew, and the one I went by with my editors. And, it was the name used for all my literary efforts. So, in an age before technology, living as a divorced mother and a writer, life was going pretty good and I was content as Marissa.
Then, three years later, in 1998, I met and decided to marry my current husband. It was my first real “problem” with the name, but this time is was about my last name rather than my first. It took a lot of soul-searching to take my new husbands last name. I went through several months of arguing with myself on whether, and if so, how, to integrate last names. I debated on the, then popular, dash-hyphenating the two last names. After all, my children both had the last name Owen, and all my writing was published under the name Owen. In short, it was a pain-in-the-ass decision.
Eventually I made the decision -love and my desire to always be moving forward won the day. I became Colleen Mullins in real life and Marissa Mullins in my writing circles and and on paper. I had reached the place of perfection, no need to change pseudonyms ever again … and then, ten years later, along came Facebook.
I was introduced to Facebook in 2008. Suddenly, I was pulling my maiden name of Steadman out of the closet and dusting it off. How else would childhood schoolmates be able to find me? It was amazingly strange when I set up an account with my maiden name in the middle – I gave that name up at the age of 14 and never expected to use it again. Again, a very surreal experience.
Many people from school, family members, and old friends have found me on Facebook. It’s been a wonderful experience and I’m very happy to be “reunited” with so many people. BUT, in the last 4 years there have been some changes that lead me to question my use of Name on Facebook. My writings (those submitted for publication in hard-copy and those on the web) are under Marissa. I’ve become addicted to Twitter and am part of a large literary group there under the name Marissa. So, what name is it to be?
Since I would answer to the call of Marissa as quickly as I would answer to the call of Colleen, and since the greater part of me at present identifies with Marissa over Margaret and would never use my maiden name anywhere other than Facebook…
I’ve decided to combine the two, while combining my world of old friends and my current world of writing and life in the automotive realm, it just seems logical for me to go by Marissa Colleen Mullins on Facebook and link all my accounts! There, it’s done! My Facebook is name updated and now you know why! Blessings to everyone – regardless of by which name you know me!~
~What about you? Do you write under a pseudonym? Have you ever thought about it?
~Are your Facebook and Twitter linked? What do you think of Social Media?
~Any amazing stories of Facebook or Twitter out there? Something amazing or uncommon?
~Keep Writing!
Running Down the Track: Creating an Image of You as Writer
You’ve selected your Type from the list in Part 1 (go here to read part 1) – this alone should help you narrow your focus and describe the intent of the work. Now, once you’ve reached a place of honesty and distance toward yourself and your work, it’s time to start the actual work of writing your Author Bio.
The writing process takes time. This is why most writing advice suggests that you write something and then put it away for awhile before coming back to re-read and edit. Good writing is even better writing when you return to it later. Bad writing will scream for edits and fixes when you go back to it (a crippled animal needing help before it goes off on its own)! Allow yourself the time you need to focus, write, and revise your Bio. The goal is to write an excellent Author Bio, not to write one faster than everyone else.
Here are some examples of how a not-so-great Bio becomes a better one:
Example One: Type A
Type A Indistinct: Jane Doe received her BA degree from Blank University, her Master’s degree from Blank University, and her MFA at Blank University. She graduated last month and took a course at Blank Blank Writer Retreat. She has always loved to read and is an aspiring writer of fiction. She has had work published in ABC Journal and One Journal.
Type A Specific & Individual: Jane Doe is a graduate of the MFA program at Blank University. She attended the Blank Area Writer’s Retreat last June with specialized study in the art of fiction. Her short story, “From Here to There,” recently appeared in Blank Journal. Other writing has appeared in Blank 3 Magazine and We Are Journal. Her fiction seeks to explore the connections between childhood myth and adult neurosis.
We get a much stronger sense of who the writer is and what she cares about in the second example. Remember to be concise but thorough. If you’ve earned degrees and attended retreats please let the editor know (you probably spent a fair amount of money to do so) as it allows them to understand your training and quality of writing they can expect.
However, be careful not rattle-off a litany of schools and accomplishments without tying them to your work, or explaining their relevance to your writing. I love butterflies, but would not include that in an Author Bio unless it was pertinent to the article I’d written.
Example Two: Type B
Type B Indistinct: John Doe is a writer and has a BA degree in architecture from Blank University. His wife and children are his greatest inspiration. He loves music, opera, and Frank Sinatra. He writes for his local paper, the daily news. He also won a poetry contest when he was younger.
Type B Specific & Individual: John Doe has been writing since childhood. He is the author of “Today’s Best Music,” a weekly column for the Any Town Newspaper. John enjoys all music, but Frank Sinatra is his favorite vocalist. He is working on a short-story collection about the changes in the music scene over the past decade. This essay is an adapted version from that project.
There is a temptation to include any professional or educational accomplishments in your Author Bio. This usually comes from a fear of not mentioning educational levels when sending work to literary magazines. However, information just for the sake of information, without relevance to the topic, is a wasteful use of your limited word-count. Try to avoid this!
In John’s case, the BA degree in architecture is irrelevant information for this piece. His mention of his wife and kids is sweet, but it is also unimportant to the piece and more about sentimentality than relevance. John’s love of music and prior writing about music is more relevant and provides a deeper, stronger vision of who he is and why he’s writing the essay we’re going to read.
Example Three: Type C
Type C Indistinct: My name is Jane Doe and I’ve always wanted to be a writer. I have written in journals all my life. I read a lot and have over 100 books on my shelves. I live in the west and hate the hail storms, but I love the snow. I should have started writing before. I’m glad my husband talked me into it.(And, yes, I have received Bio’s like this!)
Type C Specific & Individual: Jane Doe is an avid reader and lives in Oklahoma. She has always been fascinated with journal-keeping and is researching the history of journal-keeping in the prairie states during the 1800’s. The essay, “Life of Prairie Storms,” is her first published work and evolved from her journal-keeping research.
OR
Type C Specific & Individual: Jane Doe moved to Oklahoma from New York in 1974. She soon discovered that the hail storms in that area were more violent and damaging than the Northeasters she had faced back home. Jane told her husband that people in New York would never believe the ferocity of the storms. He encouraged her to write about them. The resulting essay, “Ice Battering at Tulsa,” included in this issue of Blank magazine is her first published work.
It’s always difficult being new at something. As a new writer, there is much to absorb and many new skills to polish when seeking publication. A new writer often has a Bio filled with sentimental, personal things that are irrelevant to their new career effort, or they have a “one liner” Bio with no content or warmth. It’s is essential to find a middle ground.
The examples for Jane above show two opposite tactics based on the content of the submitted work. Either option takes for granted that she is writing about something in which she has personal experience or direct knowledge. I advise all new writers to start in that way. Hobbies and passions are wonderful places to find and build stories, family and regional history are also filled with possible story ideas.
There is a key difference between being a new writer and an unprofessional one. Take yourself and your writing seriously and approach submissions in a professional way. Write an Author Bio that exemplifies your desire, talent, and humility. Submit material appropriate for the specific market you’ve targeted with a professional Bio and a good Cover Letter. Don’t be embarrassed or ashamed due to a lack of publishing credits. Instead, be proud of the new voice and career path opening before you. Remember that being new to the writing profession doesn’t mean that your stories aren’t valid. Believe in who you are and what you have to say!
Into the Home Stretch: A Word of Caution
Every writer has a distinct voice that shows in their work, helps shape and define it, but that is not necessarily the voice or personhood of the writer as an individual. Writing, much like the arts of music or painting, should speak for itself. Be careful not to provide a voice stronger than your writing-voice in your Author Bio.
The voice within your writing may be the voice the reader will enjoy most or want to hear. After all, haven’t we all watched that in-depth interview with a lead singer we once loved turn into an episode of TMI (Too Much Information) or a whine-fest that makes us decide we’ll never buy another one of their CD’s? Or, there’s the movie star interview (think about Mel Gibson or Charlie Sheen here) that starts out okay and quickly disintegrates into a hellishly bad episode that makes us wonder why we ever liked them.
We may love the voice and tone in a writer’s work and still, as with Gibson or Sheen, be insulted and turned off by the true, unrestrained, everything-exposed personality. Much like the wizard from The Wizard of Oz – there’s a reason and a purpose for the curtain covering a writer’s magic.
Crossing the Finish Line: Flexibility & Revision
Wow! Congratulations! You did it! You wrote an articulate, professional Author’s Bio! That’s it, you’ve won the race and we’re finished, right? Well, almost. There are a few final things you should know…
An Author’s Bio is constantly evolving and changing. I recommend a basic Bio like the examples above as a starting point. If you’re putting your Author Bio on a blog or book it will be more permanent. However, for general submissions over time, and as you establish new credentials and published credits, you’ll need to tweak it and edit often. Consider your submission content and adjust your Bio accordingly.
Remember, your Author Bio is like your business card or resume – it is the biographical information on you as a writer. It will continue to change and grow with you on this wonderful journey.
“All runners (writers) in place!”
“Ready! Set! Go!”
The starting gun fires and the race begins!
Half the contestants stumble and turn, blindly running in the wrong direction. The other half run toward an imaginary finish line in the distance . . . somewhere?
Welcome to the world-cup championship race for the best Author Bio!* You, the writer (or hope-to-be writer), must tell the world who you are, and why they should listen to you, in a succinct 25 to 150 words. No solid guidelines exist to help you and there is no definitive formula for winning. Ready! Set! Go!
Does this scene sound familiar to you? Do you sit at the keyboard, palms sweating – trying to figure out who you are, what you have to say, why your work matters – trying to create the perfect Author Bio? If so, this article will help you understand and formulate a great Author Bio that works for you!
Warming Up: Defining Yourself as an Author!
I’ve been thinking about Author Bio’s for several weeks due to my blog getting more clicks on that page. It’s time to revise and update, and that decision, to re-work my own personal Bio, led to this article. Honestly, I never enjoy writing my Author Bio. It always seems a bit egotistical and pretentious – listing all my previous publication credits,talking about myself formally, introducing myself with all that pomp and grandeur – it’s not really a comfortable process even if you’re an old hand at it.
It’s even worse if you’re new to the writing profession. How do unpublished writers create credibility for their work and a professional sense of who they are in the Bio? After all, it’s not like you can say, “I’ve never written anything before, but I know my work is worth publishing. Trust me.” Right? Well, you can do that, but it never works out to your benefit!
The Author Bio is the starting point for any serious writer.** Most editors read your Author Bio and your cover letter before even glancing at your submission. (I’ll talk about cover letters in another post.) The effort to write a good Author Bio is both necessary and worthwhile. A “good Author Bio” will help to define who you are as a writer and what your work says to the world. It is a source of clarity and purpose if done correctly. It is also, based on my years of experience as an editor, one of the most neglected parts of a submission package.
Starting Line: Understanding the Three Types of Author Bio’s
The Author Bio is the first impression an editor will have of you. It should contain the same level of writing expertise as your work. It should provide a glimpse into your philosophy on writing and the motivation behind your work. The first key to writing a good Author Bio is to understand that it is intricately linked to your work as a writer.
There are three main types of Author Bio’s:
1. Author Bio A: Educational credentials and previous publications in the small-press arena and/or winning or high placement in literary contests;
2. Author Bio B: Non-educational credentials, but combinations of publications in local or online arenas, mixed with small-press and literary publication credits;
3. Author Bio C: Non-educational and Non-published credentials, may have a blog or informal online publications or no publication history of any type.
These Bio Types are intentionally broad to allow for varying degrees of writing expertise and publication history.*** The Type label is an organized way for us to discuss “writers” as professionals, using their background, particular focus and interests, and their degree of publication experience in order to write an effective Author Bio.
It is important to remember that your Author Bio is actually your writer biography – not your mom biography, your I keep a perfectly clean house biography, or I love ice skating biography – your Bio should represent you as writer and your specific area of interest regarding a piece of work and it’s inclusion in a specific magazine or market. (The exception to this rule: Stephen King can say anything he wants in his bio!)
The Type A Bio will typically be a more experienced professional writer or an academic with numerous publication credits in their field of study. They often have a PhD or an MFA, attend well-known workshops, are involved with writer colonies, and may be a full-time writer, professor, or editor. They often blog professionally for various media,win numerous prizes and grants via writing competitions, and may have published books one or more books.
The Type B Bio often holds a college degree and is a writer for local publications or literary magazines. They may own or edit a small-press magazine, have numerous literary publications, have won or placed in literary competitions, and may be a professional blogger with a medium to large following. They are usually less involved with national events/publications and more involved in local arts programs and cultural events or organizations in their area.
The Type C Bio is typically the beginning writer or a more mature person who has retired and is now pursuing a life-long dream. They may or may not have a college degree, may have written for local regional publications, may have some published credits or none at all. They often start writing as an emotional release, an escape from troubled lives, or because they are an avid reader and have always wanted to be a writer. They often have a blog with a small following and may or may not participate in community writing activities or reading groups.
The first step in writing a great Author Bio is to decide your Bio Type and then make an honest assessment of self. Nathaniel Hawthorne was right when he said:
“No man, for any considerable period can wear one face to himself and another to the multitude, without finally getting bewildered as to which one is true.”
Many people in the world wear masks on a daily basis, but the writer must to step from behind his mask and view himself with distance and perspective.
It is the element of distance that allows the writer to find truth in himself and the piece of work he’s creating. Again, Hawthorne makes a succinct point when he says, “Accuracy is the twin brother of honesty; inaccuracy, of dishonesty.” Good writing always flows from a place of emotional honesty and perspective cultivated and polished by the writer. instinctively, the reader understands this and backs away from the work of an overwrought, dishonest writer.
(E.g. Writing a story of Aunt Martha being fat because you hate her guts, and with no other intention or depth, will seem hostile, petty, and pointless to the reader. You’ll lose them before the end of the first paragraph. On the other hand, writing a story about Aunt Martha, from a place of honesty and compassion, detailing your journey to forgive her and move away from hatred, will gain a reader’s interest and involvement. They’ll want to know how the story – your journey – works out and will likely continue reading.)
Take a long, serious look in the mirror and then take a long, serious look at your writing from the position of observer. It’s time to start writing.
(Read Part 2 Here)
Photo courtesy of:training racing pigeonswebsite.
*The term Author Bio is used in its general, wider meaning throughout this article to include any writer, poet, author, etc. that would be formally submitting work for acceptance and publication.
**I realize that writing and publication has changed a great deal these past years. However, whether submitting work in a traditional snail-mail manner or via online submission tools or emails, I still believe a certain level of professionalism is required. Thus, the Author Bio and cover letters are treated as necessary to any submission process regardless of the format.
***I firmly believe that you can be a successful writer regardless of your particular Bio Type or level of experience. I also believe that no one type is better or worse than the other. These Types are used as a simple guideline to understanding the various levels of professional achievement, along with the slant or focus of particular writers. It is not intended to be in any way discriminatory, argumentative, or seen as support or rejection of any particular group or individual writer.
I’ve always been a fan of art and artists. Even to the point of marrying one! But, long before meeting my husband, art was firmly rooted in my mind as a flowering garden I would always admire. My first two memories of art as a child revolve around Crayola Crayons and the picture of a horse painted by my mother.
First memory: my Crayola Crayons. I still recall them with great joy (you know, the sixty-four pack with the sharpener in the back)! Unusual names like Sienna, Thistle, Raw Umber, and Magenta conjured up images of a wild, exotic land far away from the rural, humdrum farmhouse of my childhood. I loved coloring as a child, but I could never master drawing.
Eventually, getting bored with coloring and being unable to draw, I went through a spell of melting the various individual crayons and pouring them together in molds to create new color choices. All this under my grandparents watchful eyes, of course, and to the chagrin of my mother and other adults. They would stop by and find me in the dining room with an old cooking pot (donated by my grandmother for the effort) filled with melting crayons on top of the wood stove, the smell of hot wax drifting through the rooms. My grandparents would shush the naysayers with, “she’s just a child.”
“It’s okay. She’s not hurting anything,” was the mantra as they sat watching me stir various colors into tin cans, saucers, and any other makeshift molds I could find. (Just for the record, my grandparents were so darn cool to let me do that!)
Second memory: that cute little brown horse standing in a bright green pasture. I’m not sure the exact age that I noticed the painted pony, but I was young and it was before I started school. It was vivid. I remember asking my grandmother about it. There was a tone of pride in her voice as she explained that my mother had painted it.
My mother had me very young. As a child, I adored her and believed she was the most beautiful creature on the planet. The fact that she had painted this, that she was an artist, made her suddenly mysterious and talented too. I studied the picture often, picturing my mother as she painted; begging to see the picture up close. A request my grandmother often indulged. I would hold it in my hands, staring at each stroke of paint, at the way in which the lines met to create the picture in full.
The picture held great significance because it was the only painting in my grandmother’s house. There were doilies, ceramic plates from various places, trinkets and family photographs on the fireplaces and side tables, but there were no other pieces of art anywhere in the house.
I grew up watching the little horse, trying to draw something that even slightly resembled the horse, or anything “real,” to no avail. The more obvious my inability as an artist became (I couldn’t even manage to get the paint-by-numbers pictures done correctly) the more I admired my mother’s artistic talent. I eventually turned to writing as a way of drawing pictures with words. And words remain the closest I can come to artistry. I am unable to paint with colored pencils, pastels and the like, but I learned to paint pictures with words. And, to a great extent, most of my poems and short-stories and heavy on imagery. I want the reader to see it.
So, loving art and artists as I do, I want to introduce you to a wonderful site: Fine Art America. They have numerous artists with art available in any medium imaginable, as well as offering the ability to purchase original canvas, framed pictures, notecards, etc. They also provide art images with a link for use on blogs that allow you to use the lovely work while correctly crediting the artist. Their mission, per the website says: “FineArtAmerica.com is a social network and e-commerce marketplace for photographers, visual artists, art galleries, and fine art collectors. Visitors to FineArtAmerica.com can choose from over 1.5 million pieces of original artwork including paintings, sculptures, drawings, mixed media, jewelry, and more!” If you get a chance, please check them out at http://www.fineartamerica.com.
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It’s been rainy and cool here in South Carolina today. Strange weather after two weeks of sunshine and 70 degree temperatures. It will be a little cooler this week, but still in the 60’s so I’m happy.
Yes, I broke the rule and started a story with the weather, but it’s okay. This isn’t meant to be a serious post about anything – surely you figured that out by the title! No, you probably didn’t expect the title of the post to be true. Nothing is ever about nothing, right?
Okay, so maybe the post isn’t about nothing, but it is a mundane post without any intentions. Sometimes it’s just nice to write a rambling post that isn’t dressed up in the finery of purpose or deep intent.
I’ve spent the day reading numerous research papers and articles about neuroscience, memory retention factors, and the psychological and philosophical elements and theories about Bipolar disorder. These are all background study and/or sources for two research essays I’m working on. Both pieces seem timely considering the Charlie Sheen meltdown and the new medical findings in several areas of cognitive science. So, I’m putting my “serious writer” hat on and actually working on some serious writing, except for here at the blog.
Charlie Sheen, Religious Arguments, and Self-Delusion
Is it just me, or does it seem like America has slipped down the rabbit hole with Alice? It reminds me of the Brandon Jenkins song, The Whole Worlds Gone Crazy.
What is up with Charlie Sheen? He’s been notorious for years now – stripper problems, drug issues, and now seriously sad and crazy behavior. I’ve always liked his acting (and ditto for Mel Gibson and his bizarre behavior). They’re very talented actors, but what is going on? I have no answers, I’m just asking…
Earlier today I was reading my Facebook page and noticed where my sister and friends from our school years ended up in a heated argument over God and religion. Okay, can we all accept that everyone has a right to their belief system without having the right to inflict it on others?
It seems like a simple agreement, a basic social courtesy to extend to others, but, considering the past two thousand years of religion-based warfare, I’m probably just expecting too much. Still, peaceful disagreement is always better than a heated argument that leaves people feeling hurt and unloved.
It was a rough week at work (sales were great, but personnel issues took center stage). I’m learning that the title Sales Manager puts a dart-board target on my back and that every disgruntled worker we terminate grabs a handful of darts on the way out. It’s no biggie in the larger scheme of things, but it’s amazing to me the level of self-delusion many people live in.
Twice now I’ve hired people as a favor to my kids, their friends, and that just doesn’t seem to work out. So, no more of that! The sad part is that these people were given an opportunity that they would never had been given otherwise.
I actually care about this situation and these people. It hurts me that it doesn’t work, that they prefer delusions to true growth. I want very much to help the less fortunate, the people who can most benefit from an opportunity, but they don’t want the opportunity as much as I want to give it to them. It is sad to watch the jealousy and venomous behavior of people that you’re trying to help end up destroying them.
Pondering an Important Question
Lately, I’ve been pondering the following question: Am I a writer selling cars or a car salesman that writes?
I have a tendency to “fall into” situations, careers, relationships. It’s a unique and quirky part of who I am. Plans are fine. I make them, of course; but life always twists and turns in some unexpected way…and…oops, there I go, falling into the next new thing!
The car business has been an accidental success. I loved it almost immediately and my tenacious determination to win kicked in. It’s been a good business for me, one in which my verbal talents serve me well. One that pays me very well.
I was a writer for many years before I was in the car business. writing is and has always been my first love. I seldom write as I once did, my output and body of work has diminished due to time constraints. I have finally taken a few vacation days this month (my first time-off in two years) and am looking forward to some extra writing time. I have several major projects I hope to complete by the end of the month.
It’s ironic to think that two years ago while in Pryor, Oklahoma I thought I would never write again. Rather, I am at a place where major, deeper works seem more likely just a short while later.
Writer’s are writer’s because of two major things:
A writer is always a keen observer of the people and the world he or she lives in. Even more ironic is the fact that the same observation skills are what makes a great sales person. I suppose the answer to my question could be both. After all, we all carry various names, tags, and titles through our lives. Our identity doesn’t come from a title. Our true identity comes from the various mixture of titles and intricate details of our personality combined into the whole of us. We are the sum of all that has touched us, taught us, claimed us, and identified us, We are individually wonderful in many ways. ~
Marissa Colleen Mullins 